The entire website is organized this way, which makes it easy to find useful information and links to high quality sites. I feel that this is a good resource that is easily accessible for every music educator, technologically savvy or not.
Monday, November 23, 2009
Music Technology Training: Musictechtips (from my PLN)
This site has a lot of pertinent information for music educators. The web author has linked several blogs that include some really pertinent information. The blogs cover a good number of categories in teaching including elementary education, music technology, and theory. The blogs are categorized to help narrow what you want to learn. In the elementary education blog, for example, the author has categorized her blogs based on some of the lessons she has taught in her classroom. Her personal experiences with the music lesson contain reactions from the kids. This helps to separate "armchair theory" lessons that don't work from lessons that actually work with kids.
Sunday, November 22, 2009
Assistive Technology
Soundbeam, a device that converts movement into sound, is a piece of technology that can be used in classrooms with special needs students. This is a wonderful way for kids that are quadriplegic or have cerebral palsy or other disorders to make music and to experience the process of music making. Soundbeam can convert the smallest movements into sound, so as long as you can move, you can make music.
IDEA, however, has not delivered on the promise that it made in 1975 to fund 40 percent of the educational costs for disabled children. Since then, the level of federal funding has never risen above 19%. Local and state governments have been forced to deal with the resulting financial impact. Federal funding has not kept up with the growing population of children with special needs.In spite of all that has been done in recent legislation, special education students need the support promised to them that is long overdue. With 40 percent of the funding of special needs children being met by the government, perhaps SoundBeam could become a fixture in every school.
Please consider asking your senator to vote to increase IDEA funding to 40 percent.
Sunday, November 15, 2009
Music and the Brain: Dr. Daniel Levitin on the six types of songs that created human nature
These podcasts, which are sponsored by the Library of Congress, explore the relationship between neuroscience and music. According to Dr. Levitin in his new book, there are six forms of music that encapsulate human interactions: friendship, joy, comfort, knowledge, religion/ritual, and love. These forms of music, in their own unique ways, have created and shaped the course of human civilization. The evolution of music is a window into the evolution of human civilizations. Music, for example, is most always linked with some sort of dancing, which has roots in sexual fitness. Social change as a result of music (rock in the 60s, for example), has changed the recent history of humankind.
Dr. Levitin's research on anthropology, music, and neuroscience results in a thought provoking discussion of the under-appreciated role of music in human history.
Copyright and Fair Use, Digital Citizenship
Most everybody has been influenced by modern technology in the past ten years. The world has changed so staggeringly fast that students who enter college to pursue technical degrees will have (almost certainly) learned mostly obsolete information in their fields by the time they graduate. This means that educators are teaching skills to students whose jobs have not been created yet. According to "Digital Citizenship: Addressing Appropriate Technology Behavior", by Ribble, Bailey, and Ross, inappropriate use of technology, modeled by teachers to students, has sent the message that it is not important to practice social responsibility when it comes to technology. I think that part of the reason behind this behavior is in the lack of precedence of this digital era. Here is an interesting video on the pace of change in the world today:
As a responsible educator, we must verse ourselves in the use of these new technologies with the goal in mind of teaching a student to be competitive in the global arena.
Exposure to more media than ever before in more formats (websites, text, video, etc.) has led to the creation of copyright and fair use laws that govern the intellectual property of others. It is always important to credit any source you use, including books, videos, and websites. If you intend on using intellectual material for noneducational purposes, you must obtain a copyright. This website has specific information on the fair use of information from the internet for use in the classroom.
Monday, November 9, 2009
Music and Instinct PLN
Music Instinct , on pbs.org, is an interesting website of clips and articles from various specialists in music and science. The articles and discussions focus on understanding the human instinct for music, from a music therapy perspective, to the science and evolution of music.
Music and the Neanderthal's Communication can be found here.
Here is the discussion of music therapy for infants.
There are many other related topics on the site, from performances of music across cultures to bird songs.
This website really delves into the substance of music in the world around us. To me, understanding the "why" in music (and human nature in general) is as critical as the "how".
Music and the Neanderthal's Communication can be found here.
Here is the discussion of music therapy for infants.
There are many other related topics on the site, from performances of music across cultures to bird songs.
This website really delves into the substance of music in the world around us. To me, understanding the "why" in music (and human nature in general) is as critical as the "how".
Sunday, November 8, 2009
technology, learning styles, and teaching (blog on readings)
How People Learn (and What Technology Might Have to Do with It)
Digital Natives, Digital Immigrants
WebQuests for Music Learning
Technology has changed a lot in the past 30 years. When my parents were my age, they communicated primarily through phone calls (but long-distance calls were expensive) and snail mail. In my generation, communication, even over long distances, is taken for granted because of the abundance of communication technology that exists at our very fingertips. There is some evidence that the fast paced world of technology has made us smarter. Obviously, this has changed our culture and the way people learn, especially the digital natives. Because people learn differently, teachers have to teach differently, using the tools of the age. Digital natives need educators who will use technology to enhance learning. One of the biggest differences in the learning styles of the two generations, from what I gather, is that digital natives are used to learning by trial and error, while a digital immigrant will reference a book or instruction manual to gather information. Digital natives, therefore, are fuller participants in the active learning process than their digital immigrant counterparts. "Edutainment", while not practical in some classrooms, is entirely useful in a music education classroom. "Edutainment" can use the "language" of the digital native, in the form of computer games, to drill many important elements of musical knowledge.
Sunday, November 1, 2009
Juilliard/Carnegie Hall National Music Achievement Program--interesting
I looked on Google Reader today and found a posting about a survey that Juilliard/Carnegie Hall is sending out. The survey asks music teachers about the plausibility of creating a National Music Achievement Program. I took the survey and I was interested in what the program might offer to my private students. I often wonder about how other private horn teachers tackle the issues that I face while teaching. This forum might offer insight to me about approaches I could use to better convey ideas and concepts.
The program would include the following characteristics:
• Students would be evaluated by regional, reputable adjudicators using a pre-defined syllabus and repertoire list
• Evaluations would be available several times per year in each area
• Evaluations would be based on instrument performance
• The evaluation would consist of 8 different performance levels, from beginner to advanced students
• Students would receive a numeric score at the end of the evaluation
• Students would be able to access their ranking in relation to other students across the country
The achievement program aims to benefit students and teachers in several ways, including:
• Motivate students to continue studying music by offering clear development goals
• Enable students to understand their skill level on a national scale and gain recognition for passing each grade level
• Help teachers track the development of their students
• Offer teachers materials to support their instruction
• Students would be evaluated by regional, reputable adjudicators using a pre-defined syllabus and repertoire list
• Evaluations would be available several times per year in each area
• Evaluations would be based on instrument performance
• The evaluation would consist of 8 different performance levels, from beginner to advanced students
• Students would receive a numeric score at the end of the evaluation
• Students would be able to access their ranking in relation to other students across the country
The achievement program aims to benefit students and teachers in several ways, including:
• Motivate students to continue studying music by offering clear development goals
• Enable students to understand their skill level on a national scale and gain recognition for passing each grade level
• Help teachers track the development of their students
• Offer teachers materials to support their instruction
As a private teacher, sometimes it is difficult to find out about every opportunity for my students. I have the internet, yes, but I end up finding out about most everything from other private teachers. This program might really have merit. You can take the survey here:
Multimedia text, sounds, and World Wide Wave Forms
Using text and sounds in websites can make it simple to disseminate knowledge and music to many people, including students in classroom settings. Once you learn the basics, you can have a do-it-yourself publicist, and a place to store and share information with people.
Text is the graphic representation of sound. On computers, a number is assigned to each letter on a typewriter. This binary code is recognized by the computer and translates the keystroke to a letter or number. The system is called ASCII. There are different types of ASCII including plaintext, RTF and HTML. HTML is the best one to use when creating webpages because it looks the best on the computer screen. There are also different kinds of fonts. These different kinds of fonts are monospaced, which occupy the same horizontal relationship from one letter to another, serif, which has ticks on the bottom of the lettters to help the reader, and sans serif, which does not have the ticks. There are also different font standards, including postscript fonts, which look good when printed, and truetype.
A minimal amount of understanding of sound is required for use in websites. Sounds, as we all know, are series of vibrations in the air. Analog recordings measure the voltage produced by the sound onto a recorder device. Digital recordings convert voltage changes into numbers for use by a computer on a website or itunes. The higher quality the sound, the more digital space it takes up. There are two kinds of formats used for sound: RAM, or random access memory, and AIFF, which is ideal for multimedia CDs. Apple makes something called quicktime that is an ideal multimedia tool for sharing video, audio, MIDI, text, and animations. These can be used in conjunction or separately, in any way, which makes Quicktime very flexible for music educators.
Compressing audio files is necessary to free up disc space on the computer to store many files. It is easier for people to download music if it is compressed, because it takes less time. File compression uses something called a codec to minimize file sizes. It does this by getting rid of redundant, barely perceptible, or imperceptible audio to make the file size smaller. A MP3 coder changes the audio file further to minimize the file space. It may be "lossy", or lose some parts of the audio when it is compressed. Embedding audio in a separate file is a good way to get music across without downloading the music to the users hard drive.
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